Lights, Camera, Buffalo Action!         by        Dave Fulson

"Inside the Making of "Boddington on Buffalo", The Video

The herd had been easy to find. African ox-peckers or tickbirds as they are more commonly referred to, created an almost continuous chatter as they flittered above our heads in route to the moving feast awaiting them in the valley below.

Minutes later, as if to affirm what we already knew, a sharp bass grunt floated up the ridge to our ears. As we stopped to listen, other grunts, bawls and bellows sounded to our front, left, and right. Professional Hunter, Andrew Dawson shot a look over his shoulder that everybody in our tightly packed group instantly interpreted. We had caught the herd flat-footed in the spring and from the sound of things, this was a big, big herd.

Our head tracker, Makasa, gave his ever-present ash-bag a shake and we watched the fine mopane ash float to our rear. The wind would not be our problem, a couple of hundred ever-watchful Cape buffalo and their accompanying alarm systems, the ox-peckers would.

A termite mound overgrown with brush fifty yards ahead would provide the perfect cover for our team if we could make it there undetected. Following Andrew's lead, we all went hands and knees and started a single file crawl toward the mound ahead.

Upon reaching the base of the termite heap, we knew we had succeeded, as the contented grunts continued to sound from the herd stretched out to our front, left, and right.

Andrew and Craig eased up to a big tree and started glassing the buffalo looking for a bull that would suit our purpose.

The next hour and a half was as close to perfect as it gets in buffalo hunting. We watched the immense herd feed, water, and wallow within easy rifle range, totally unaware of our presence. Later, we would estimate that we saw at least 250 buffalo, and we knew from the sounds further down the valley that we had missed the front part of this herd!

The back end of the herd, as is often the case, produced the majority of the bulls we looked over. And several of those got looked at very, very hard. There were several heavily bossed bulls that lacked width, and a few very wide bulls that lacked the boss that indicates a fully mature bull.

At one point, Craig spotted two exceptionally wide bulls corning towards the spring that made everyone initially think 'here's our bulls'. But closer inspection with the Swarovskis showed that both bulls, one of which we estimated at 45 inches, were still younger animals with green (not fully developed) bosses that should be allowed to grow into their full potential

We continued to inspect the mob as it moved to our left when Makasa gave that sharp hiss that I've come to know so well over the course of many hunts with him.

In one motion, Makasa spun Andrew to his right, Andrew spun Craig, and I was already coming around because I had seen that look on Madasa's face before. It is usually followed by rifle fire and exploding bush.

Standing there at about 15 yards was a most beautiful Cape buffalo bull wearing an obvious 'now-what-in-the-hell-are-they-doing-here?' look on his grizzled face.

I could feel Craig shifting on my left even as I heard Andrew whisper "That's a lovely bull, take him."


This big bull was one of many filmed during the making of Boddington On Buffalo

Perhaps two seconds passed before the Dakota .375 in Craig's hands crashed, sending a 300 grain Swift A-Frame into the bull's massive chest. The bull visibly received the hit, but as his clan is apt to do, he instantly regained his balance and tore ahead, smashing his way through a light screen of mopane scrub which separated us.

This bull who chose flight over fight, ran across the open glade directly in front of us. A bad choice for him. In less than five seconds (I've timed it) the bull, who was really rolling along by now, had picked up three more A-Frames in the heart-lung area and was running quite literally dead on his feet. Thirty yards later he realized it, and sunk to the ground giving that mournful, moaning bellow that every buffalo hunter hopes to earn.


Craig Boddington on "The Set" of Boddington on Buffalo

By every definition it had been a great hunt and had resulted in a trophy bull, but for our team it had now become the ultimate hunt because it had been captured on video, to be shared and enjoyed again and again.

This bull and another massive old 'dagga boy' Craig would take later in the Safari are two of many trophy buffalo tracked down and taken 'on camera' during the filming of 'Boddington on Buffalo', a landmark film dedicated entirely to the hunting of Africa's Cape buffalo.

Unlike other productions which simply seem to focus on the conclusion of the hunt, Boddington on Buffalo was designed to be a comprehensive study on the art of hunting this most popular member of Africa's Big Five.

In July 2004 Craig Boddington traveled to the famed Zambezi Valley in Zimbabwe where he joined Professional Hunter Andrew Dawson for the final stage of filming. Andrew and his partner Paul Smith are owners of Chifuti Safaris, one of Zimbabwe's most successful Safari operations.

Chifuti Safaris has established a reputation for excellence and is well known in Safari circles as solid choice for hunters interested in the dangerous game for which the Valley is famous. Their concession, which enjoys the Zambezi River for it's northern boundary, is legendary in it's ability to support large numbers of buffalo as well as a healthy percentage of trophy bulls which continue to draw hunters to the thick jess and mopane woodlands these buffalo call home.

My partner Tim Danklefand I are the exclusive booking agents for Chifuti Safaris. We both spend a great deal of the Safari season in camp with clients filming hunts for our production company, Safari Classics Productions.

 
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